The Empty Chair: Raise Your Hand If...

Raise Your Hand if you know who STEVE JOBS is.

Now, Keep your hand raised if you know who Jim Puckett or Basel Action Network is.

Now, Keep your hand raised if you know who TERRY GOU is.

Keep your hand up if you know who Simon Lin is.

Keep your hand up if you know Dr. Graham Mytton is.

Keep your hand up if you know who Prince Nico Mbarga is.

Keep your hand up if you know who Awal Muhamed, Yaro Muhammed, or Razak of Savelugu is. 

Keep your hand up if you've ever been to Savelugu.

Now unless you are author Adam Minter... my guess is your arms are back to your side. You'll need both of them when I conclude this talk.

The technology for "touch-screen" information feedback - sending data via touching a display device - was originally developed for cathode ray tube CRTs in Germany in (I think) the 1960s (based on my interview with Allen Liu, retired CEO of Net Peripheral, in 2016).  That patent was either abandoned or purchased by the Taiwanese engineers - graduates from University of Taiwan in Taipei - decades later. These tinkerers* applied to very small handheld touchscreen devices.  The "patent claims" by Apple and Samsung over smartphone touchscreen technology went nowhere 15 years ago (if anyone remembers those court cases, keep your hand raised) because neither invented it. Taiwan was the Cyrano of electronics invention, rising from "contract manufacturing" to schematic design wizards.  Terry Gou is the Taiwanese CEO of Foxconn, which manufactures most iPhones. Simon Lin is the Taiwanese CEO of Wistron and Acer.

Author, Author!

The seat next to me is empty, because those of you who lowered your hands might think I'm an expert. But everything I'm telling you today is either public data, available from World Bank and IMF loans for electric grid and hydroelectric projects which provide electricity to more than 90% of people in the world.  And if you had not interviewed fake experts like Jim Puckett of BAN, or Sasha Rainbow (Placebo MTV documentary director), or photojournalists like Kevin McElvaney and other "poverty porn purveyors" who got their information from Mike "Fishing as a Boy" Anane - that the center of capital city Accra was a remote fishing village in the 1990s... etc.

For twenty years, what I have learned by listening to the Tech Sector, listening to importers, listening to the founders of great OEMs, was derided by a lot of idiot white people who were given the privilege to sit before conferences in that chair.  People from Greenpeace, from European institutions, people like Interpol's Cornelius... people who probably meant well, but who were completely responsible for the false arrest, denigration, defamation, discrimination, and imprisonment of Tech Sector workers like Joe "Hurricane" Benson, an African who may well have become the "next: Steve Jobs, the "next" Terry Gou, or the "Next" Simon Lin. (Keep your hand raised if you remember Steve Jobs second company, "NEXT").

Nuance Delivery 1: Awal is Sasha Rainbow's Tire Burning Boy

Another reminder from the Placebo "Life's What You Make It" controversy a year ago... Sasha Rainbow, who made the Placebo music video in Agbogbloshie, didn't ever - even once- respond to me or talk to me.  She said I was a liar.



Here (in Pidgin English) is an interview with Awal Muhammed of Savelugu (village north of Tamale).  Oh, he's also featured in BBC reporter Reggie Yates feature on Agbogbloshie.

Sasha's documentary is coming out soon, I've been told.  Good for her that she spent more time down there.  I've heard nice things about Sasha Rainbow from people I know in Accra. 

What $20,000 Means: Blog to Sasha Rainbow, Brian Molko, Stefan Olsdal, @PlaceboWorld

Dear Directors, Producers, and Stars of the Music Video "Life Is What You Make It",

About two weeks ago, I ran across the release of your new Placebo music video through my organization, Fair Trade Recycling / WR3A, which researches public posts on Agbogbloshie.  Despite recognizing some of Placebo's hits from the past two decades, I admit I was not at all acquainted with the artists.  Over the course of 2 weeks, I've developed a much greater appreciation for not just the art, but the social justice that Brian and others with the band strive for.





I know a lot more about African recycling than I know about music.  I've been to Abgogbloshie and Old Fadama several times with our members from Tamale, Ghana.  We have translated for or been interviewed by several documentary and print journalism investigations on so-called e-waste dumping in Africa.  Here are 4 good articles and films on the topic of export.

3Sat
Aljazeera
Smithsonian
SciDev

But let me explain how we can work together to create clean and sustainable recycling jobs for the "workers of Agbogbloshie".  There's a win-win here, and there are plenty of other people besides me you can go through if I've tarnished the relationship by introducing the subject.  ("Alright then, I'll go to hell," often starts here).

Loving vs. Placebo? Sasha Rainbow, Life's What We Make It

First of all, happy 50th anniversary of the Loving vs. Virginia decision, June 12, 1967.

Here is a thoughtful article in Salon, written by Dave Singleton, the godson of attorney Robert McIlwaine. 

“He” was my godfather Robert McIlwaine, Uncle Bob as I called him, and my secret was a surprise. I discovered recently that he was the lead lawyer on Loving v. Virginia, the iconic U.S. Supreme Court case on interracial marriage. He argued for Virginia and against the rights of the interracial couple.

Like Singleton, I spent all my summers Mark Twain country, where slavery had been legal. A lot of my own writing was influenced by conversations among grandparents and family members when I was 5 years old in 1967.  My parents generation was pro-Loving, but they argued with older Ozark relatives about it - some of whom I adore still.  

The anti-Loving marriage argument at my grandparents home was that "It's not right to the children, it deprives the kids of either society".  That is familiar now.  I've heard it said about marriages across religious lines.  And it struck me deeply because, at 4 years old, I'd asked the girl next door, Sally, if she would marry me when we grew up.  She explained to me we could not because she was Jewish.  I asked my parents if it was true that a Christian boy was not allowed to marry a Jewish girl.  They told me it was actually possible, but that family can oppose it, and that you have to "think of the children".

I could not, at that time, imagine ever loving a girl as much as I loved Sally.  And perhaps that's why the evening news of the Supreme Court case, Loving vs. Virginia, caught my 5 year old attention.

Today, I'm grateful to have grown up knowing and loving 'racists' who were just cautious, frightened people, not bad people - like the uncle of the Salon writer.  I think this prepared me to recognize 'accidental racism' in the environmental community. These are my friends, sharing my recycling passion, many of whom seem as stubborn as any family in the south when it comes to trade in used equipment with black people.  

Where I grew up, you learned that you can hate and detest a friend's idea, without thinking too much less of the friend. If you think free export policy will hurt Scrap Sector's children, and I think anti-export policy hurts the Tech Sector's children...  I don't describe you as a bad person.

But righteousness always hears it that way, doesn't it?  And when you become famous for being righteous, you invent and prosecute "blasphemy".

The nuance is sadly missing from the response I got yesterday, indirectly (posted to a fan group) from Placebo "Life is What You Make It" director Sasha Rainbow.  Rather than answer any of my questions, even my messages offering to introduce common third parties if she doesn't want to speak to me directly, she pasted a new sunshine on my bum, spank slapped me personally as a very bad human being who people should avoid talking to.  I'm thinking of writing in response to her characterization of me and Fair Trade Recycling. Maybe tomorrow.

Perhaps we are just competitors.  Perhaps she saw the teaser for the Joe "Hurricane" Benson documentary I'm trying to shepherd, and it's just business to position her own Agbogbloshie documentary ahead.  She has employees, mouths to feed, etc.  

Euro Agbo Photo Journos 4: Update Placebo Video (Sasha Rainbow) in Agbogbloshie

UPDATE: Life Is What You Make It (Placebo cover)

The 1990's European rock group Placebo has launched a new hits album featuring a haunting cover version of "Life is What You Make It". The Music Video used to launch the release was filmed in June 2016 at Agbogbloshie, a slum near the center of Accra, Ghana.  The rockers declared to fans on Facebook that Agbogbloshie is The Largest E-Waste Dump In The World. The slickly filmed and haunting video is "dedicated to the workers of Agbogbloshie", and ends with three austere warnings urging fans not to allow their cell phones and computers to fall into African hands.

Most recent academic research (Memorial U, USC, PCUP, MIT), has revealed the amount of e-waste in Agbogbloshie to be globally inconsequential, and many headlines to be wildly exaggerated. Agbogbloshie is not populated with thousands of orphans "pawing" through 500 sea containers of European e-waste per month. Nor is the site a remote wetland - its status as a heavily polluted urban river was established decades before personal computers were sold in the USA.  The modest sized scrap yard (mostly auto scrap) in a city of 3-4M does receive E-Scrap in scrap metal by pickup truck and wheelbarrow carters in an informal cash economy based on copper and aluminum - and reuse - value. Baseline World Bank data show millions of Ghana households had televisions in the 1990s. UNEP and UNU data show the site accounts for far less than 1% of the e-waste traffic in the world, and probably generates most of that on its own.

To get a professional assessment of the site, in 2015 The Smithsonian and Sci.Net each sent reporters who were experienced with scrapyards. Both experienced reporters found mainstream press coverage to have been grossly exaggerated and prejudicial. The NGO which had originally named Agbogbloshie to be a significant electronic waste dumping ground now claims otherwise, now from a defensive position of having "racially profiled" the Ghana Tech Sector who successfully reuse and resell 90% of the imported goods (a record superior to brand new product sales).

Placebo SashaRainbow Filmtaker Alasdair Mitchell with Awal, Razak, Abdullah, and unknown