Showing posts with label charcoal. Show all posts
Showing posts with label charcoal. Show all posts

Smoke Screen in Africa: German Photography Needs Self-Ctrl-X

WR3A Photo January 2018
One of the most tiresome themes in the "eyewitness" reporting on African recycling are accounts of smoke from burning wire.  It's definitely one of the most photogenic activities at Agbogbloshie.

Sure, Sasha. Agbogbloshie e-waste oft goes unmentioned - for minutes at a time.

The anecdotal wire burning in Agbogbloshie is a product of underemployment and boredom. But if you ask people in the recycling community how much e-waste wire burning contributes to African urban air pollution (smog), you find it gets mentioned a wee too often.

Where smoke comes from:
  • Cars and Trucks
  • Diesel Generators
  • Charcoal Stoves
  • Smelters
  • Tire Burning
I asked German photographer Kai Loeffelbein a polite question on twitter about the photo below - from Agbogbloshie.  No response.  I presume he has done just a little bit of background research, enough to know not to climb in the ring.  He's going to ring the bell and get his cash from the publisher for a titillating expose, and let's see if a dime goes to Ibrahim, Muhammed, Awal, Razaq, Yaro and their pals.


Kai, notice how everyone at the largest dump on Earth is on first name basis?
So let's talk about smoke.  The photographers like to tell us that's how their work is benefitting the Africans - by saving them from health effects of burning electronics.

Ewaste Witch Hunt #6: Portrait of African Scrapper, Dying for Attention

If you've been following the last 8 blogs about Agbogbloshie in Ghana, you see the tricky place we are approaching.  If the slum dwellers in Accra are burning wire for less than $3 per day, does chasing away the photojournalists do more harm than good?

There's this sense that photos have value, and a sense that some kind of exploitation is going on.  But it travels like a rumor, and the Africans are conflicted in whether to participate or boycott the photojournalists.  It's part of the #charitableindustrialcomplex that they know is "happening" but don't really understand how to monetize.

If the hyperbole about the  "largest e-waste dump on earth" goes away, if the source of the scrap in Agbogbloshie is not "hundreds of containers from sham recyclers" but just pushcarts collecting junk from a city that had 20 TV stations 20 years ago, where does that leave Razak, Awal, and Rachid, the scrappers we did Q-method interview with on film last spring?

Are they still "important"? 

It's a tricky thing.  They have no problem at all "outing" Mike Anane.  The scrappers clearly can't stand the guy. Every time Anane's name or picture came up, Awal's crew would begin talking over each other, standing and yelling.  That didn't come from me.  "HE DEY LIE!" [he lies] It was cried with emotion because they knew what Anane charges for his "photojournalism tours", they know his bogus relationship with the idealist young journalists like Kevin McElvaney, or "BitRot" Bellini, and with Jim Puckett and Lord Chris Smith etc... and they suspected it was part of the "Sodom and Gomorrah" propaganda campaign to evict them from their homes for the Accra Metropolitan Association could take the land over and develop it with hotels, malls, and office complexes.