If you've been following the last 8 blogs about Agbogbloshie in Ghana, you see the tricky place we are approaching. If the slum dwellers in Accra are burning wire for less than $3 per day, does chasing away the photojournalists do more harm than good?There's this sense that photos have value, and a sense that some kind of exploitation is going on. But it travels like a rumor, and the Africans are conflicted in whether to participate or boycott the photojournalists. It's part of the #charitableindustrialcomplex that they know is "happening" but don't really understand how to monetize.
If the hyperbole about the "largest e-waste dump on earth" goes away, if the source of the scrap in Agbogbloshie is not "hundreds of containers from sham recyclers" but just pushcarts collecting junk from a city that had 20 TV stations 20 years ago, where does that leave Razak, Awal, and Rachid, the scrappers we did Q-method interview with on film last spring?
Are they still "important"?
It's a tricky thing. They have no problem at all "outing" Mike Anane. The scrappers clearly can't stand the guy. Every time Anane's name or picture came up, Awal's crew would begin talking over each other, standing and yelling. That didn't come from me. "HE DEY LIE!" [he lies] It was cried with emotion because they knew what Anane charges for his "photojournalism tours", they know his bogus relationship with the idealist young journalists like Kevin McElvaney, or "BitRot" Bellini, and with Jim Puckett and Lord Chris Smith etc... and they suspected it was part of the "Sodom and Gomorrah" propaganda campaign to evict them from their homes for the Accra Metropolitan Association could take the land over and develop it with hotels, malls, and office complexes.
