Fire is the dynamic that attracts teenagers and young men to a wire burning site. Fireworks economy. Build a bonfire, attract a crowd. The wages at the wire burning site on the Odaw River are so low because 1) the youth suffer chronic unemployment and, 2) burning wire adds very little value. There less plastic on the wire, which makes it worth a little more, but the clump of wire weighs less, because the plastic is gone.
Who else is attracted to fires? You got it, photojournalists.
Enter photojournalist #10.
Shin is from South Korea and came to NYC to study photography, according to his bio. His instagram and twitter feed was all about wire burning, and I'm sure he's the "China Man" the Musketeers told me about a little while ago. He seems like a nice guy. Not a credible scrapyard expert (see Adam Minter or Jon Spaull's reporting for that), but at least gets the jist of the philosophical question of whether photojournalists wars can create "collateral damage". Seems sincere in understanding the pitfalls of "photographer protagonist".
Who else is attracted to fires? You got it, photojournalists.
Enter photojournalist #10.
Shin Woong-jae
Shin is from South Korea and came to NYC to study photography, according to his bio. His instagram and twitter feed was all about wire burning, and I'm sure he's the "China Man" the Musketeers told me about a little while ago. He seems like a nice guy. Not a credible scrapyard expert (see Adam Minter or Jon Spaull's reporting for that), but at least gets the jist of the philosophical question of whether photojournalists wars can create "collateral damage". Seems sincere in understanding the pitfalls of "photographer protagonist".