2020 Vision: What to Expect In Good Point Ideas

While the population in Africa is growing very quickly, it is not growing nearly as quickly as the number of televisions (and phones, computers, other electronics) per household.

When you study the number of years that Africans have been watching TV (see Dr. Graham Mytton's "Mass Communication in Africa" 1983), the shocking thing about Agbogbloshie is just how bloody few TVs are at the city dump. Africans keep fixing and fixing them, using them over and over, longer and longer.

Somehow, however, the world has been fed a story that places Africans as primitives surrounded by burning waste electronics delivered by evil people in the west.  Somehow, good reporters are sending a message to boycott and arrest citizens of Africa's Tech Sector.

Here's a 2019 report from France 24, by Franck Hersey... no evidence of any research of % of Agbogbloshie waste from electronics vs cars, no "baseline" research of how much a city like Accra normally generates (not imported waste, but eventual waste). No interview with Grace Akese, Emmanuel Nyalete, Adam Minter, Robin Nagle, Jenna Burrel, Josh Lepawsky, Ramzy Kahhat, etc. Our pal Awal Muhammed of Savelugu and Tamale - the most photographed man in Ghana - gets plenty of screentime. Franck Hersey actually films Awal pointing to a 1990s Sony TV and pretending to read that it was Made in France...



Accidentally bigoted reporting has been a theme of the blog. And its still a problem. But I'm not feeling that important to the fight any longer. Is it time for Obi Wan Ingenthron to lower his light saber and join the blue ghosts?

Euro Agbo Porno Photo Journos 3: Credits Making Poverty Porn Placebo in Agbogbloshie!

Video Produced by Sasha Rainbow for RiseRecords and Placebo creates more "Collateral Damage".  

"Life is what you make it" music video, filmed at Accra city dump, uses gasoline fueled fire, children, and recycling images.

Well, well, well... it has been a busy week for Agbogbloshie.  We are looking for a release document for one of the "three musketeers" (Awal, Razak, Yahroo), who featured prominently in a new music video released for Placebo by Rise Records.  Not trying to scare them away, but to get them into their role in the dialogue.  They probably meant well, and are "collateral damage" from BAN propaganda... which they append at the video's final seconds, as if spreading fear for Africans victimization is compensation enough for a day of scrap circus performances.

First, some actual journalism happened the same afternoon as the video was released, and from the same state (Oregon).  Resource Recycling magazine had a thoughtful cover article on our Fair Trade Recycling "carbon offset model" waste trading with Ghana.

Same day, Rise Records (Beaverton, OR) released a film by director "Sasha Rainbow".   The music video for glam-punk-rock rerelease UK group Placebo advertises albums and t-Shirts.  The Song is "Life's What You Make It".

The film opens with the line "dedicated to the workers of Agbogbloshie".  Well, that's nice.  What's fascinating is that Sasha Rainbow uses only a handful of the people there, and the most prominently featured is Awal Muhammed of Savelugu (north of Tamale), who I spent several weeks with in January and February.

Here's Awal in the music video.  I am struggling to know how to feel about this.  His name, at a minimum, should be in the credits.  He's not a "nameless faceless worker of Agbogbloshie".

Here's Awal wearing my company T-Shirt (with Yahroo)

So I was kind of mock-exploiting these "most photographed dudes in Africa".  But I don't know if I paid them as much as Placebo or Sasha Rainbow paid them - or far more.  And I very much want to find out.  Because if Sasha Rainbow and Rise Records did compensate these workers, they should proudly name them (like a check would require) and say so in the credits.  Because Bellini, McElvaney, and other Euro Agbo Porno Photo Journos did not.  None of us assumes the scrappers are given more than a thank you, and if that's the case here, the Glam Rockers need to find out, and correct that.  If I see these people in a video that's making money, I want to read that the dudes were paid a fair crew wage.  The ironically titled video "Still Not Sponsored" is perhaps the grossest, most disturbing example, with smarmy ridiculing voice over by Mike Anane, a guy these scrappers detest.