Showing posts with label revolution. Show all posts
Showing posts with label revolution. Show all posts

(Digression - Why Would What "e-Waste" Gets Exported Evolve?)

In March 2015, a group of Ghana customs agents, Ghana Tech Sector importers, and three USA journalists accompanied WR3A from the scorched waterside where copper and aluminum wires - wires from cars, appliances, and computers - were being torched in tires.  We'd walked about the fires, dodging the black smoke, as WR3A's Dagbani translator (and Tech Sector Geek, first introduced on this blog (May 2011) translated for a group of young men led by Muhammed Awal.

(Note: I've kind of deliberately avoided really nice photos here, just to kind of capture the ordinariness of it all)

The photographers (myself included) had all snapped some great and alarming shots of young men, dirt, poverty, pollution, and smoke.  The ENGO's halloween language would be hard to resist.  But we now moved the the larger Agbogbloshie yard, where by hammer and screwdriver and axe, metals were being separated from each other and from the plastic skins and wire nerves that bound their bodies.

The first electronic or "e-Waste" device we photographed was a VHS or VCR player.  It was, no doubt, originally imported used.  The Italian photographers got their lenses up close, accepting the premise that this represented and "obsolete"  import.

Joe Benson's container exports were itemized, not just by count of appliance, but by brand and model.  In 100 pages of documents I reviewed, there was no VCR.  Wahab, the Ghana Tech who made our tour possible, would never have imported one.

But back in the day, when I lived in West Africa in the 1980s, VCRs were a hot commodity.  An entire industry of "duplicate" movies existed in Nigeria.  Knock off copies of "Rocky" and "Rambo" and "Bob Marley Concerts" were in every marketplace, from Yaounde to Ngaoundal.  Cameroon was still in the business of erecting TV towers, but the "critical mass of users" who made those investments promising had obtained used CRT televisions - every one of which demanded a VHS player as much as it did electricity.

When I looked down and saw the young men pounding, I saw a flashback of scrap appliance from Africa's past decades.  I wondered, did the young Italian documentary makers (in their 20s) have any idea what a VHS player was, and could they imagine a Joe Benson or Wahab buying one from an "e-waste" collector and paying thousands of dollars to ship it here?

Cultural Gulfs in Developing Markets #6: Nneka Egbuna

Last week, between snow shovelling, I posted a little blog with a video of an interesting cover of Outcast's Hey Ya, by Obidiah Parker.   While shuffling around youtube for the link, I happened upon some African pop videos, and got arrested by Nneka Lucia Egbuna.  According to her Wikipedia biography, Nneka was raised in Warri, a petroleum ("resource curse") pothole turned "cosmopolitan city" of 312,000 in the delta of Southern Nigeria.

Nneka grew up in Nigeria, but went to university in Hamburg at 18... a big cultural gulf.  In the theme of gangstagrass / cultural melting pots and urban music, I listened to several of the songs on her "Soul is Heavy" album last night and this morning.



I'm posting more about Nneka for two reasons.  First, I like a couple of her songs a lot, especially the title track of Soul is Heavy (which I posted below the Outcast cover).   It was only when I listened/watched the video a second time that I realized the background of the chorus "teach me lies" is adorned with old African television sets.

I don't pretend to know Nneka's position on the Interpol crackdown vs. the "geeks of color" whose cause I've embraced, but in a second video, "My Home", she poses as two things - a conflict metal gold mining worker (the place Western mercury from recycling programs gets sold, for alleuvial gold mining) and then a city trash worker (I presume in Lagos, wearing .A.W.M.A- LAGOS STATE WASTE MANAGEMENT AUTHORITY, on an orange PPE - personal protective equipment uniform).  Damn.  Must watch.

Below... at least watch through the coltan mining and public solid waste worker shots.

That's a pretty good snapshot of what's going on in Africa.  Junk televisions rank about as high on Africa's priority list as they did in the USA and Europe in 1990.  The "e-waste export crisis" makes as much sense as the Radiator-Aid humorous videos.  Recycling stereotype after stereotype.

(*Much more to come, in a future blog, about the RustyRadiator.com project).  RustyRadiator project is another northern-Europe / African collaboration, like Nneka, whose moniker reminds me of the #1 hit 30 years ago, when I boarded the flight to Africa to start my Peace Corps career (give up?  Nena - of Germany - 99 Luftballoons but that is a "punctuation level digression", or "third level digression" sorry... I've lost a lot of readers on those turns.... end digression*).


Revolution Number Nine: Apple, Google, Taiwan, Korea...

From Digitimes:

4Q12 trends in the Greater China touch panel industry

In the global touch panel market, handset applications will account for the highest proportion of shipments at 76.2% in 2012. In second-half 2012, the main change in the handset touch screen market is the release of Apple's iPhone 5 that uses in-cell touch screen technology. The supply chain for Apple's panels will be shifted from Taiwan-based panel makers to Japan and Korea- based ones, which will cause shipments for panels used in handsets to decrease for Taiwan-based panel makers from 41.3% in first-quarter 2012 to 26.9% in fourth-quarter 2012.
Global touch panel shipments by application, 2010-2012 (k units)
Additionally, China-based panel makers will benefit from low-priced handsets in China. Due to such handsets having strict cost requirements, they will be beneficial for China-based touch screen makers. This will allow the makers' shipments of touch panels used in handsets to increase from 32.7% in first-quarter 2012 to 39.4% in fourth-quarter 2012.
This is about the split between Taiwan Display Engineers and the "old rivalry" between South Korea and Japan.  Apple will probably try to keep developing more expensive touch displays with some micro-improvement.  They will try to use Apple software to make sure people use it.  It was the Apple way of the 1990s, to shun "cheap" PC-clone manufacturers which manufacture for the "Good Enough Market".

Egypt's Revolution Profiled - Wolman, Stewardship miss 'ewaste' role

DAVID WOLMAN - David Wolman is a contributing editor at Wired, a former Fulbright journalism fellow and a winner of the 2011 Oregon Arts Commission individual artists fellowship. His third book is The End of Money.  (The Atlantic, May 4, 2011)


Wolman's new book, The Instigators, follows how Revolution 2.0 came to a head, and how online and Wired activists were able to communicate and sell the democracy on the Arab street.


I have sent a note to Wolman (though these never seem to get anywhere) suggesting that he go back a little further in his timeline.   As I've said many times, the revolution did not happen on Ipads and Android phones.   Vermont had a role in exporting about 30,000 affordable used computers to Egypt between 2002 and 2008.  In 2008, the Egyptian customs seized $80,000 worth of P4s in three sea containers, and our direct trade was broken.


Two years later, Jim Puckett of BAN was applauding the Egyptians classification of any computer manufactured more than 3 years earlier (i.e., costing less than half your annual salary) was illegal "e-waste", working or not.  The CRT display devices, which are good for 20 years, were banned.


But Mubarak could not put the Genie back in the bottle.  (photos below)  The efforts to "profile" geeks of color as polluters, as terrorists, as primitives, went down in the 9th round.