Showing posts with label parasites of the poor. Show all posts
Showing posts with label parasites of the poor. Show all posts

Missing Poverty: Poverty Comedy to Clear the Air

“Best way to clear the air is to have it all out in the open.” - Atticus Finch  To Kill a Mockingbird

Thinking today of walking a mile in another man's shoes.   And soon I'll be walking where, according to the press, "hundreds of millions of tons" are dumped in "the most toxic place on earth".

Every summer in the Ozarks, I sat in the back seat on a regular drive back and forth between my dad's mother's house in Forsyth (Taney County seat) and my mothers parents home in Ridgedale (Arkansas line).  US Highway 65 was one lane each direction.

migrant family of Arkansas - wikipedia hillbilly
My Grandpa, when he drove, told me about how it was one lane, and unpaved, not too long ago.   By the time I was a teenager, a four lane highway had split his farm in two.

Back in the 1960s and 70s, as now, most of the signs were aimed at tourists.   Branson Missouri would go on to become a top USA tourist destination in the 1990s.

Many of the signs were about hillbillies.

It was the place to see American poverty... Poverty comedy is the place you land when Poverty Porn loses its shock value.

Hillbilly (for internetional readers, and those under 40) was a very popular term in the 1900s, to describe backwards, unwashed, ignorant, and happy Americans who lived in exotic places, like the Ozarks and Appalachia.  Snuffy Smith, Lil' Abner, and Pogo were popular Sunday morning comic strips.   The Beverly Hillbillies, Hee Haw, Petitcoat Junction, and Green Acres were popular comedies.   Soon the movies Deliverance and The Hills Have Eyes would appear to make it scary.   Silver Dollar City was the county's #1 draw, and hillbilly music shows would grow to line the strip between it and Branson.  It was about the same time that Sanford and Sons, and Good Times, Richard Pryor and Bill Cosby were making fun of urban African American poverty.

I started to ask why we never went to one of those shows.

My grandparents, aunts, uncles, and great cousins had the same answer.   There wasn't a single true "hillbilly" in one of them shows.   Nobody in the USA knew anything about the people who lived here.   The whole thing was a Hollywood exaggeration... exaggerated to such a grand proportion that it became an embarrassment.

"A tourist came up to me the other day and asked me where they could see a real hillbilly!  I said 'you're lookin' at one right now!"

I never heard a tourist ask anyone that, but I heard the claim from many friends and relatives over the years.  Usually it was about a tourist with a camera, who wanted to take a picture of a "real hillbilly".

Poverty Comedy isn't as funny when an outsider makes the joke.   It's a shade of poverty porn.
Before I can live with other folks I’ve got to live with myself.” Atticus Finch, To Kill a Mockingbird

NYT: Seeing People for what they Can Do

... not just for what they cannot do. 

Today's New York Times has a refreshing take on the story of slums.   It's a very different perspective than the Bloomberg story on cotton farming in Burkina Faso.  "In One Slum, Misery, Work, Politics, and Hope", by Jim Yardley, is worth the read.
In the labyrinthine slum known as Dharavi are 60,000 structures, many of them shanties, and as many as one million people living and working on a triangle of land barely two-thirds the size of Central Park in Manhattan. Dharavi is one of the world’s most infamous slums, a cliché of Indian misery. It is also a churning hive of workshops with an annual economic output estimated to be $600 million to more than $1 billion.

e-Waste Poster Child Telethon from Disney (*Repost from 2011)

Sunday, December 11, 2011

Tomorrow (Monday) is our R2 Audit.  So I've invited a guest writer while I prepare the inspection paperwork.



"Hello, My name is Mowgli, and I am the spokesperson for the Poster Child Workers Union [PCWU].  
You know me from my work in Hollywood's "Jungle Book".  But did you also know I was nearly used as a "poster child" for several charitable campaigns?  My creative boss at Disney frowned on that kind of thing.  Last I remember, Uncle Walt allowed my image to be used on an Italian Lira postal stamp - back in 1970 (see right).



"However, there are millions of boys and girls like me, in the developing world, who have no Disney lawyers to protect us from unauthorized use of our images.  For the most part, we don't mind so long as the photographer is trying to accomplish something good.   If my sister is in line receiving food or medicine from CARE, Save The Children, Oxfam, or Unicef, she's hardly in a position to 
complain, right?

"One group that has been using our images a lot is now being confronted by the PCWU union.   It's a 'watchdog' group which was taking our photos doing recycling work.   We thought recycling is good.  This is better than being a child soldier, a tantalum mine worker, a sex slave, or working in a textile mill.  Sure, our lives are tough, but if you were me, wouldn't you rather be recycling than doing something worse?  I mean, don't white boy scouts earn merit badges for recycling?



Walt Disney. (2023, July 22). In Wikipedia. https://en.wikipedia.org/wiki/Walt_Disney

"Now, the official union position is that we can be bought.   Ok, that's so blunt...  But true.  We'll gag and writhe for a peso. But after the photographer leaves, what then?  Oy veh!  It turns out, no pay for the photo, and worse...! Their campaign wants to shut us down entirely!