Don't Let #CircularEconomy Mean #PropertyColonialism

 The previous blog opened with a some photojournalism chestnuts from a decade ago - when Greenpeace slipped reporters a mickey, and showed journalists a sea container full of identical CRT TVs from a hotel upgrade shipped to Tema, Ghana - and then a 70 year old black and white Magnavox kitchen table TV housing in Agbogbloshie. What should have been proof that Agbogbloshie was an #ewastehoax was passed around as evidence of #environmentalinjustice.

There IS environmental injustice on display - it's when Western NGOs conflate the recent importer, the valedictorians in the Tech Sector, the "Geeks of Color", with wire-burning "primitive" recyclers from the slums who eventually gather used imports after DECADES of reuse in the #goodenoughmarket.

This week, we see evidence of the same tactic, via another NGO.  "How Romania Turned Into an Illegal Dumping Ground for EU Waste".

Check out these photos from the article, which claims that "rusting" metal farm equipment is "burned" in Romania landfils. Shocking, but not in the way the writer intended.

The claim that the "rusty" meatals are "burned in landfills" after being purchased in Western Europe is bigoted, stupid, and every bit as stupid as the 2010 claims that Joe Benson was importing the 1970 kitchen Magnaox watched by Prince Nico Mbarga.

Environmentalists Must Learn From Misdiagnoses: How CRT TCLP Would Affect Asbestos, Solar

First, by request, here are the photos the blog "Halloween Images of Scary Black People" pointed out a decade ago.  The blog was about language used to flog normal activities, rendering them repulsive - or heroicizing the same image (using Wordsworth's "The Village Blacksmith" to describe metal recycling compared to the way BAN.org described metal recycling at Agbogbloshie).

The BAN NGO was so proud of one photograph - of a man carrying copper and aluminum wiring (from scrap automobile harnesses inside a 1970s Magnavox kitchen tabletop TV case) - that they use it on their website masthead, and in annual fundraisers for "Giving Tuesday".  BAN offers readers who feel sorry for the "primitive" man the chance to donate $25-1000 to their NGO.  How the young man will benefit from your donation isn't exactly clear.

But as we pointed out in 2012, that self-same Magnavox kitchen-table CRT television was very, very, very unlikely to have arrived - as BAN repeatedly claims - "days earlier", or as a result of environmental externalization. Even back in 2012, that 1970s TV was an ebay collector's item selling for over $100. It bore no earthly relation to the TVs BAN or Greenpeace filmed unloaded at African port of Tema in 2009, or Jim Puckett's infamous updated photo of Africa's "primitive" Tech Sector.

Here is a picture of the top selling album in Nigeria in 1978 - by Africa's "Elton John" of the 1970s, the artist crowned as "Prince Nico Mbarga" (whose lilting song "Sweet Mother" from the same album remains Africa's chart-topper to this day).

Soooo, there's no evidence at all that the man in BAN's photo is carrying a TV imported used in 2012, vs. imported new or used in 1977. But BAN's practice of pushing the plastic casing as evidence of environmental injustice is ironically quite bigoted. BAN's unspoken assumption is that if-not-but-for villains like Joe "Hurricane" Benson, Agbogbloshie would be full of swimming and fishing young Michael Ananes, littered only with banana peels and coconut shells.

INTERPOL's (Higgins and Lindemulder) "Project Eden" was cruelly naive about African city waste.